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Sans Superellipse Idnak 6 is a very bold, normal width, medium contrast, upright, tall x-height font visually similar to 'Akkordeon' by Emtype Foundry, 'Bhelt' by Fateh.Lab, 'Bolton' by Fenotype, 'Mowray' by Graha Type, 'Cimo' by Monotype, 'Desta' by Stefano Giliberti, 'Fixture' by Sudtipos, 'Pandora' by URW Type Foundry, and 'Winner Sans' by sportsfonts (names referenced only for comparison).

Keywords: headlines, posters, sports branding, packaging, signage, industrial, sporty, assertive, retro, tough, impact, robustness, geometric consistency, headline emphasis, brand presence, blocky, condensed feel, rounded corners, squared rounds, compact spacing.


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This is a heavy, compact sans with a squared-off construction softened by rounded corners. Curves tend to resolve into superelliptical bowls and rounded-rectangle counters, giving letters like C, O, Q, and G a sturdy, engineered feel. Strokes are largely uniform with crisp terminals and minimal modulation, while joins and corners stay blunt rather than sharp. The x-height reads tall and the lowercase is built wide and solid, producing dense word shapes with short ascenders/descenders and tight internal counters at display sizes.

It performs best in large sizes where its dense texture and rounded-rectangular counters remain clear—headlines, posters, apparel graphics, packaging callouts, and bold signage. Because the interiors are tight and the overall color is dark, it’s most effective when given ample size and breathing room rather than extended small-text settings.

The overall tone is forceful and no-nonsense, with a utilitarian, poster-ready presence. Its rounded-square geometry adds a friendly softness to an otherwise tough, industrial voice, suggesting sports branding, hardware labeling, and bold headline messaging. The rhythm feels compact and punchy, prioritizing impact over delicacy.

The design appears intended to deliver maximum visual weight with a controlled, geometric system—combining blunt, blocklike silhouettes with softened corners for approachability. It aims for high-impact display typography that stays consistent and sturdy across uppercase, lowercase, and numerals.

Several forms emphasize squared geometry (notably the flattened bowls and rectangular counters), which helps maintain consistency across letters and figures. The numerals appear similarly block-built and robust, matching the uppercase in mass and presence.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸