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Free for Commercial Use

Inline Abna 6 is a regular weight, normal width, low contrast, upright, normal x-height font.

Keywords: headlines, book covers, magazines, posters, branding, classic, editorial, formal, literary, heritage, engraved look, elevated classic, decorative serif, display emphasis, editorial character, serif, inline detail, wedge serifs, calligraphic, high-clarity.


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A serif text face with sturdy, low-contrast strokes and crisp, wedge-like serifs. The defining feature is a narrow inline cut that runs within many verticals and curves, giving the black letterforms a carved, engraved feel without becoming overly delicate. Proportions are traditional with moderate capitals, a normal x-height, and steady rhythm in the lowercase; joints and terminals are clean and sharply finished, keeping counters open and silhouettes legible. Numerals follow the same classical structure and carry the inline detailing consistently, producing a cohesive set for display and text-like settings.

Well suited to headlines, pull quotes, and cover typography where the inline texture can be appreciated. It also fits classic branding, invitations, and poster work that benefits from a traditional serif voice with added visual interest; for longer passages it can work when set generously, especially in editorial contexts.

The overall tone feels traditional and bookish, with a refined, slightly ornamental finish. The inline carving adds a sense of craftsmanship and ceremony—more dressed-up than a plain text serif—suggesting historical print, engraved signage, or formal editorial typography.

Likely designed to provide a familiar, classical serif foundation enhanced with an engraved inline to add distinction and display character. The intent reads as “traditional but decorated”: maintaining clear letterforms while introducing a built-in ornamental line for a more crafted, premium look.

The inline detail is most noticeable in heavier stems and rounded bowls, creating a subtle stripe effect that reads as decorative texture at larger sizes and as a tonal nuance at smaller sizes. The ampersand and capitals project a composed, conventional personality, while the consistent serif treatment keeps the font grounded and orderly.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸