Font Hero

Free for Commercial Use

Inline Naly 5 is a very bold, normal width, medium contrast, upright, normal x-height font visually similar to 'Deicho' by Twinletter (names referenced only for comparison).

Keywords: headlines, posters, sports branding, gaming ui, event signage, industrial, tech, sporty, assertive, retro, impact, distinctive texture, mechanical feel, display emphasis, squared, rounded corners, stencil-like, compact, high-impact.


Free for commercial use
Customize the font name

A heavy, squared sans with softened corners and a carved inline detail running through many strokes, creating a layered, cut-metal effect. Forms are built from broad, uniform stems with flattened terminals, rounded-rectangle counters, and generally boxy geometry; curves (like O, C, S) read as squarish rounds rather than true circles. The inline cuts are narrow and consistent, often appearing as parallel vertical channels that emphasize structure and add visual texture, while joins remain sturdy and closed for strong silhouette clarity.

Best suited to display roles where impact and personality matter: headlines, posters, sports or motorsport branding, packaging fronts, and attention-grabbing UI titles in games or tech contexts. It also works well for short labels or signage where the strong silhouette and distinctive internal carving can be appreciated.

The font conveys an industrial, engineered tone—confident and mechanical, with a sporty edge. Its inline carving and blocky construction suggest speed, machinery, and signage, giving it a slightly retro-futuristic flavor while staying bold and direct.

The design appears intended to deliver maximum presence with a distinctive inline carve that adds dimensionality without sacrificing the solid, readable outer shape. It targets bold, modern applications that benefit from a mechanical, performance-oriented look.

The inline treatment becomes a prominent pattern at display sizes, adding rhythm inside the strokes and increasing perceived depth. Because the internal striping is fine compared to the heavy outlines, the style is most effective when there is enough size or resolution for the cut lines to remain distinct.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸