Sans Superellipse Osged 11 is a bold, narrow, low contrast, upright, tall x-height font visually similar to 'Bebas Neue Pro' by Dharma Type, 'Neusa Neu' by Inhouse Type, 'Breuer Condensed' by TypeTrust, and 'Heading Now' by Zetafonts (names referenced only for comparison).
Keywords: headlines, posters, branding, signage, packaging, assertive, industrial, sporty, modern, punchy, space saving, high impact, modern utility, branding strength, signage clarity, condensed, blocky, rounded, compact, utilitarian.
A compact sans with heavy, even strokes and a distinctly squared-round (superelliptical) construction. Curves are tightened into rounded-rectangle bowls, while terminals and joins stay clean and blunt, creating a crisp, engineered silhouette. Proportions are vertically stretched with short extenders and a large x-height, producing dense lines of text and strong color on the page. Counters are relatively tight and apertures are small, emphasizing a solid, sign-like presence; figures and capitals follow the same sturdy, condensed rhythm.
Best suited to headlines and short-to-medium display copy where high impact and space efficiency matter—posters, branding lockups, packaging, and wayfinding/signage. It can also work for UI labels or dashboards when a compact, emphatic tone is desired, especially at sizes where its tight counters remain clear.
The overall tone is forceful and functional, with a contemporary, no-nonsense energy. Its condensed heft reads like equipment labeling, sports branding, and modern posters—direct, confident, and built for impact rather than delicacy.
The design appears intended to deliver maximum visual punch in a compact footprint, using superelliptical rounding to soften an otherwise industrial, blocky structure. It prioritizes a uniform, modern texture and strong presence for attention-driven typography.
In the text sample, the font maintains a consistent, dark texture with minimal sparkle, and its rounded-square geometry keeps letterforms cohesive across caps, lowercase, and numerals. The compressed width and strong vertical emphasis make it feel space-efficient while still visually loud.