Sans Superellipse Olbah 8 is a bold, narrow, low contrast, upright, normal x-height font visually similar to 'Bond 4F' by 4th february, 'Bebas Neue Pro' by Dharma Type, 'Etrusco Now' by Italiantype, 'Hype vol 2' by Positype, and 'Conthey' by ROHH (names referenced only for comparison).
Keywords: headlines, posters, packaging, signage, sports branding, industrial, condensed, utilitarian, assertive, contemporary, space saving, high impact, signage clarity, brand strength, modern utility, squared, rounded, compact, sturdy, blocky.
This typeface is a condensed, heavy sans with compact proportions and a strong vertical rhythm. Strokes are consistently thick with minimal modulation, and many curves resolve into rounded-rectangle forms, giving counters and terminals a squared-yet-softened feel. Apertures tend to be tight, bowls are dense, and joins are clean and engineered, creating a uniform, punchy texture in both uppercase and lowercase. Numerals follow the same sturdy geometry, with simplified shapes designed for strong silhouette clarity at display sizes.
Best suited for headlines, posters, and bold brand statements where condensed width and strong stroke weight help conserve space while staying highly visible. It can also work well for packaging, wayfinding, and sports or event graphics that benefit from a forceful, compact typographic block. For longer passages, it will be most effective at larger sizes where the dense texture remains comfortable to read.
The overall tone is direct and no-nonsense, with an industrial, signage-like presence. Its compact width and dense weight convey urgency and strength, while the rounded corners keep it from feeling harsh or overly technical. The result reads as modern and pragmatic rather than playful or delicate.
The design appears intended to deliver maximum impact in limited horizontal space through a condensed, heavy build and rounded-rectangular construction. Its consistent stroke behavior and squared curves suggest a focus on robust reproducibility and clear silhouettes across large-scale display and functional graphic applications.
Spacing appears relatively tight in running text, producing a dark, continuous color that emphasizes impact over airiness. The design language stays consistent across cases, with the lowercase maintaining the same squared-rounded construction as the capitals for a cohesive voice.