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Serif Contrasted Puga 2 is a regular weight, wide, very high contrast, italic, normal x-height font visually similar to 'Bodoni' by URW Type Foundry (names referenced only for comparison).

Keywords: headlines, magazine, posters, branding, packaging, elegant, fashion, editorial, formal, dramatic, display elegance, editorial impact, luxury branding, italic expressiveness, classic revival, hairline serifs, vertical stress, crisp terminals, calligraphic, swashy.


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This typeface is a sharply contrasted italic serif with a pronounced vertical stress and fine hairline connections. Stems and diagonals show strong thick–thin modulation, while the serifs are delicate and pointed, often resolving into crisp, tapered terminals. The letterforms lean with a smooth, calligraphic flow, pairing broad curves and narrow joins to create an energetic rhythm. Proportions feel expansive, with generous horizontal footprint in many capitals and a slightly varied, lively spacing texture across the set.

This font is well suited to editorial headlines, fashion and culture layouts, and brand identities that benefit from a refined, high-contrast voice. It can perform strongly in posters, packaging, and prominent titling where its hairlines and italic energy have enough size and whitespace to stay clear. For best results, use it at display sizes and avoid overly dense settings that could crowd the delicate details.

The overall tone is refined and dramatic, leaning toward luxury and high-style polish. Its italic motion and crisp hairlines give it a sense of speed and sophistication, while the contrast adds a distinctly editorial, attention-grabbing presence. The result feels formal and expressive rather than understated.

The design appears intended to deliver a contemporary take on classic high-contrast italics—prioritizing elegance, motion, and striking thick–thin interplay. Its combination of crisp serifs, vertical stress, and flowing italics suggests a focus on premium display typography for sophisticated, image-led communication.

The capitals present a stately, display-oriented silhouette with assertive diagonals and clean, sculpted curves, while lowercase forms maintain a consistent slanted axis and brisk entry/exit strokes. Numerals follow the same contrast logic, with elegant curves and sharp finishing details that read best when given room.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸