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Free for Commercial Use

Sans Contrasted Udmy 2 is a very bold, wide, high contrast, upright, normal x-height font.

Keywords: headlines, posters, logos, packaging, signage, playful, theatrical, retro, futuristic, quirky, headline, impact, display, branding, poster, geometric, cutout, stencil-like, graphic, blocky.


Free for commercial use
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The design is built from heavy, geometric letterforms with pronounced internal cut-ins that create horizontal “eye” shapes in many round characters. Curves are smooth and full, while terminals tend to be blunt, keeping the silhouette bold and graphic. Stroke behavior alternates between thick masses and thinner connecting strokes or notches, producing a crisp, cutout look. Proportions are generally expansive with large bowls and broad capitals, and the distinctive counter treatment remains consistent across letters and numerals.

It is well suited to headlines, posters, album or event graphics, packaging, and logo wordmarks where a bold, stylized voice is desired. The strong shapes and unusual counters can work especially well at larger sizes in short bursts of text, such as titles, signage, and promotional materials. For extended reading or small sizes, the internal cutouts and tight apertures may reduce clarity, so pairing with a simpler companion for body text would be effective.

This typeface feels punchy and theatrical, with a playful sense of surprise created by its sliced counters and strong black shapes. The overall tone leans retro-futurist and poster-like, suggesting spectacle, nightlife, and energetic display typography rather than quiet neutrality. Its rhythm reads confident and attention-seeking, with a slightly quirky, experimental edge.

The font appears designed primarily for high-impact display use, prioritizing distinctive silhouettes and memorable internal shapes over conventional text readability. The repeated sliced-counter motif functions as a signature element, helping create a cohesive, branded look across uppercase, lowercase, and figures.

Round letters like O, Q, and e-family forms show a recurring horizontal cut that visually ties the set together, while some letters introduce slimmer strokes and angular joins for contrast. Numerals follow the same motif, giving figures a cohesive, emblematic presence that reads strongly in display settings.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸