Font Hero

Free for Commercial Use

Sans Other Pyba 3 is a very bold, narrow, low contrast, upright, tall x-height font.

Keywords: headlines, posters, logotypes, game ui, tech branding, industrial, techno, retro, stark, commanding, high impact, space saving, modular geometry, retro tech, geometric, squared, angular, blocky, condensed.


Free for commercial use
Customize the font name

A compact, block-built sans with squared counters, flat terminals, and an overall rectilinear construction. Strokes are uniform and heavy, with frequent right-angle turns and occasional stepped joints that give the outlines a machined, modular feel. Curves are minimized into faceted forms, producing boxy bowls and octagonal/rectangular apertures; diagonals appear selectively (notably in V, W, and portions of K) but still read as engineered rather than calligraphic. Proportions are tight and vertical, with short extenders and a large internal body that keeps lowercase prominent alongside uppercase. Numerals follow the same rigid geometry, with squared interior cutouts and straight-sided silhouettes.

Best suited to short, high-impact settings such as posters, headline typography, title cards, logotypes, and on-screen UI elements where a bold, engineered aesthetic is desired. It can also work well for packaging accents and signage-style labels when used at display sizes with comfortable tracking.

The tone is forceful and utilitarian, evoking arcade-era display lettering, industrial labeling, and sci‑fi interface typography. Its hard corners and dense black presence create a no-nonsense, technical mood that feels both retro-futuristic and functional.

Likely designed to deliver maximum visual punch in limited horizontal space while maintaining a coherent, modular geometry. The squared counters and stepped, mechanical details suggest an intention to reference digital/industrial forms and retro display lettering rather than neutral text typography.

The design relies on repeated modular shapes—rectangles, right angles, and squared counters—which creates strong stylistic consistency across cases and figures. The tight spacing and compact widths amplify the impact in headlines, while the squared internal cutouts help maintain recognizability at larger sizes.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸