Sans Superellipse Endil 9 is a bold, very wide, monoline, italic, tall x-height font visually similar to 'Frio' by Lamatas un Slazdi (names referenced only for comparison).
Keywords: headlines, branding, posters, sportswear, technology, techy, futuristic, sporty, dynamic, assertive, speed, modern branding, digital feel, impact display, rounded corners, squared rounds, oblique, streamlined, compact counters.
A wide, obliqued sans with squared-off, superelliptical curves and consistently rounded corners. Strokes are uniform and clean, with a strong forward slant and a low-contrast, engineered feel. Letterforms favor flattened bowls and rectangular counters (notably in C, O, D, and the lowercase), while diagonals and terminals are crisply cut to keep edges sharp despite the overall softness. The lowercase reads with a large x-height and compact apertures, and the numerals follow the same rounded-rectangle construction for a cohesive rhythm.
Best suited for headlines, logos, and short branding statements where the wide, oblique forms can project energy and presence. It also fits sports and motorsport-style graphics, tech product marketing, UI splash screens, and packaging where a streamlined, futuristic tone is desired.
The design conveys speed and modernity, combining aerodynamic italics with a tech-industrial geometry. Its wide stance and confident weight make it feel sporty and display-forward, suitable for branding that wants to signal motion, performance, or digital sleekness.
The font appears designed to merge a friendly rounded-rectangle skeleton with a fast, forward-leaning stance, prioritizing impact and a cohesive geometric system over neutral text typography. Its construction suggests an emphasis on contemporary, performance-oriented aesthetics for display applications.
Round characters are more like rounded rectangles than circles, giving the font a distinctive “squared rounded” silhouette. The forward slant is pronounced but controlled, and the spacing in the samples suggests it’s built to hold together at larger sizes where the shapes and corners can be appreciated.