Sans Normal Okmum 15 is a bold, wide, monoline, upright, normal x-height font visually similar to 'Actay' by Arodora Type, 'Area' and 'Surt' by Blaze Type, 'Faktum' by René Bieder, and 'TT Commons™️ Pro' and 'TT Norms Pro' by TypeType (names referenced only for comparison).
Keywords: headlines, posters, branding, packaging, signage, friendly, modern, confident, playful, clean, approachability, impact, modernity, clarity, brand voice, rounded, geometric, soft corners, high contrast-free, compact apertures.
A heavy, rounded sans with largely uniform stroke weight and smooth, continuous curves. Letterforms lean geometric, with circular bowls (notably in O, Q, o, and e) and softly squared terminals that keep the texture even. Proportions feel generous and stable, with broad uppercase shapes and compact interior counters that create a solid, blocky color in text. Diagonals in V/W/X/Y are crisp and symmetrical, while the lowercase shows single-storey a and g and a simple, straight-sided i/j with round dots.
Best suited for headlines, display copy, and brand systems that need a strong, friendly voice. It performs well in posters, packaging, and signage where rounded geometry and dense color help maintain impact at larger sizes. For longer text, it will create a bold, uniform texture that favors short paragraphs and punchy statements.
The overall tone is friendly and contemporary, combining a sturdy presence with approachable roundness. Its smooth geometry and softened corners give it a playful, upbeat feel without becoming casual or hand-drawn. In paragraphs, it reads as confident and energetic, suited to bold, attention-forward messaging.
The design appears intended to deliver a contemporary geometric sans feel with softened edges, emphasizing impact and approachability. Its consistent stroke behavior and rounded construction suggest a focus on clarity, cohesion, and a strong visual footprint in display settings.
Round forms are prominent throughout, and the punctuation and numerals match the same sturdy, circular logic (especially 0/8/9). The Q has a clear tail that remains integrated with the bowl, and the S is balanced and full, contributing to a consistent, even typographic rhythm.