Sans Other Pozi 3 is a very bold, very narrow, low contrast, italic, normal x-height font visually similar to 'Licencia' by K-Type, 'Grand' by North Type, 'Conthey' by ROHH, 'Gemsbuck Pro' by Studio Fat Cat, 'Goodland' by Swell Type, and 'Blop77' by osialus (names referenced only for comparison).
Keywords: headlines, posters, sports branding, packaging, logo design, sporty, retro, industrial, aggressive, compact, space saving, speed emphasis, brand impact, display readability, retro energy, condensed, oblique, angular, chunky, tall x-height.
A tightly condensed, heavy oblique sans with squared curves and angular junctions. Strokes stay broadly even in thickness, with crisp corners and small notches/cuts that create a machined, faceted feel in key stems and joins. Counters are compact and often rectangular or teardrop-like, and the overall rhythm is tall, vertical, and tightly spaced, giving words a dense, forward-leaning block. Numerals and capitals share the same compressed proportions and hard-edged construction, reinforcing a consistent, engineered silhouette.
Best suited to short, high-impact settings such as headlines, posters, team or event branding, and packaging where a compact, energetic voice is desirable. It can work well for logos and wordmarks thanks to its consistent, engineered shapes, but the tight counters suggest avoiding long passages of small text.
The tone is assertive and kinetic, with a distinctly retro performance vibe—part motorsport, part arcade signage. Its sharp cuts and tight width read as tough and purposeful, lending a sense of speed, urgency, and impact.
The design appears intended to deliver maximum impact in minimal horizontal space, pairing a forward slant with industrial cut-ins to evoke speed and toughness. Its consistent, squared geometry suggests a display-focused construction aimed at bold branding and attention-grabbing titling.
The italic slant and condensed width amplify horizontal momentum, while the clipped terminals keep outlines clean and logo-like. The design relies on interior cut details and narrow apertures for character, which can create strong texture in headlines but may feel dense at smaller sizes.