Sans Other Olhe 6 is a very bold, wide, monoline, upright, normal x-height font visually similar to 'Quareg' and 'Spacecraft' by Umka Type (names referenced only for comparison).
Keywords: posters, headlines, logos, game ui, tech branding, techno, arcade, industrial, sci-fi, modular, futuristic display, arcade influence, system aesthetic, high impact, angular, geometric, squared, blocky, stencil-like.
A squared, modular display sans built from heavy, uniform strokes and mostly right-angle turns. Counters and apertures are typically rectilinear (often close to square), with occasional diagonal cuts used as notches or corner chamfers that add bite to terminals and joints. The proportions feel expansive and roomy, with a consistent cap height and straightforward, engineered geometry; round forms are largely avoided in favor of boxed constructions. Spacing and rhythm read deliberately mechanical, with compact internal openings and strong, poster-like silhouettes that hold up at large sizes.
Best suited for display settings where strong silhouettes and a digital-industrial voice are desirable—headlines, poster titling, logos, esports or arcade-themed graphics, and UI-style callouts. It can also work for short packaging or labeling elements where an engineered, modular aesthetic is a feature rather than a readability constraint at small sizes.
The overall tone is futuristic and game-like, evoking arcade UI, sci‑fi titling, and industrial labeling. Its rigid geometry and cut-in corners give it a decisive, machined personality that feels technical and slightly aggressive, more about impact and system aesthetics than warmth or handwriting.
The font appears designed to translate a pixel/arcade sensibility into crisp vector geometry: bold, modular letterforms with squared counters and strategic corner cuts that maintain a consistent, system-like rhythm across caps, lowercase, and numerals.
The design leans on squared bowls and stepped joins, producing distinctive silhouettes in letters like G, S, and Z, while characters such as O and 0 appear as rectangular frames with centered square counters. Lowercase forms keep the same modular logic as the caps, and the numerals mirror the angular, segmented construction for consistency in headings and interface-style readouts.