Sans Superellipse Abgir 16 is a regular weight, normal width, low contrast, upright, normal x-height font visually similar to 'Option Sans' by Cadson Demak, 'Sans Beam' by Stawix, and 'Option Sans' by T-26 (names referenced only for comparison).
Keywords: ui text, product design, signage, branding, headlines, modern, friendly, clean, utilitarian, approachable, approachable modernity, ui clarity, system cohesion, legibility, rounded corners, superelliptic, geometric, neutral, open counters.
A clean sans with superelliptic construction: round letters lean toward rounded-rectangle bowls rather than perfect circles, giving counters a softly squared, contemporary feel. Strokes are even and crisp, terminals are largely flat, and curves transition smoothly into straight segments, especially in letters like O, C, D, and U. Proportions read balanced and practical, with open apertures and clear interior space; the lowercase shows compact, sturdy forms and a straightforward, single-storey a and g. Numerals are simple and legible, matching the same rounded-geometry logic and steady stroke rhythm.
Well-suited for interface typography, product pages, and dashboards where a clean, contemporary sans is needed with a touch of softness. It also works effectively for signage and wayfinding thanks to open counters and straightforward forms, and can support branding and headlines that want a modern, rounded-geometry voice.
The overall tone is modern and friendly without becoming playful. Its softly squared rounds add warmth and a subtle tech/product sensibility, while the restrained detailing keeps it neutral and dependable for everyday communication.
The font appears designed to blend geometric clarity with approachable rounding, delivering a contemporary sans that feels technical but not cold. Its superelliptic rounds and consistent detailing suggest an emphasis on cohesion in UI and brand systems, prioritizing legibility and a calm, modern texture in continuous text.
The design maintains consistent corner rounding across curves and joins, which creates a cohesive texture in text. Uppercase forms feel slightly more geometric and display-oriented, while the lowercase keeps a functional, reading-first cadence with clear differentiation between similar shapes.