Font Hero

Endless Fonts
Free for Commercial Use
Download Now

Sans Other Rebez 5 is a very bold, very narrow, monoline, upright, normal x-height font visually similar to 'Kiosk' by Fenotype, 'Gemsbuck Pro' by Studio Fat Cat, 'Delonie' and 'Headpen' by Umka Type, and 'Winner Sans' by sportsfonts (names referenced only for comparison).

Keywords: headlines, posters, signage, logos, packaging, industrial, poster, retro, mechanical, authoritative, space-saving, high impact, modular look, signage feel, condensed, blocky, angular, squared, hard-edged.


Free for commercial use
Customize the font name

A condensed, heavy sans with a rigid, rectangular construction and minimal curvature. Strokes stay largely uniform, with squared terminals and frequent right-angle joins that create a cut, machined feel. Counters are tight and often boxy, and several glyphs show simplified, modular interior shapes (for example, the narrow, slotted treatment in forms like M). The overall rhythm is tall and compressed, producing strong vertical emphasis and dense word silhouettes.

Best suited to headlines, posters, signage, and short brand statements where high impact and compact width are useful. It can also work for logos and packaging that benefit from an industrial or retro-mechanical voice, especially when set with generous tracking and ample line spacing.

The design reads as industrial and commanding, with a utilitarian, engineered tone. Its sharp geometry and compact spacing evoke vintage display lettering used for signage and headlines, projecting urgency and toughness rather than warmth or delicacy.

The letterforms appear intended to deliver maximum visual weight in minimal horizontal space, using a strict geometric system to create a bold, utilitarian display style. The consistent, squared construction suggests a goal of producing a modular, machine-like aesthetic optimized for attention-grabbing titles.

The font’s condensed proportions and tight apertures make it visually striking at larger sizes, where its angular details and rectangular counters stay clear. In longer lines or small sizes, the dense black shapes and narrow openings can reduce differentiation between similar letters, giving it a more graphic, texture-forward presence.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸