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Free for Commercial Use

Sans Superellipse Olmed 1 is a very bold, narrow, monoline, upright, normal x-height font visually similar to 'Laqonic 4F' by 4th february, 'Cream Opera' by Factory738, 'Miguel De Northern' by Graphicxell, 'Framer Sans' by June 23, 'Posterman' by Mans Greback, and 'Merchanto' by Type Juice (names referenced only for comparison).

Keywords: headlines, posters, branding, packaging, signage, industrial, compact, assertive, utilitarian, modern, space saving, high impact, clarity, modern utility, condensed, blocky, rounded corners, sturdy, high contrast (mass/whit.


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A condensed, heavy sans with uniform stroke weight and a compact footprint. Forms are built from squared-off, superellipse-like shapes with consistently rounded corners, creating a rectilinear rhythm that stays friendly rather than sharp. Counters are tight and often vertically oriented, and joins are clean and mechanical, with minimal modulation. The overall texture is dense and even, with short extenders and sturdy, simplified diagonals that keep letters legible at display sizes.

Best suited to display typography such as headlines, posters, packaging, and bold brand marks where compact width and strong presence are needed. It also works well for signage and short calls-to-action that must remain clear at a distance or in high-contrast layouts.

The tone is bold and workmanlike—more industrial and utilitarian than expressive. Its rounded-rectangle geometry adds a contemporary, engineered feel that reads confident and direct, suited to attention-grabbing messaging without feeling aggressive.

The design appears intended to deliver maximum impact in limited horizontal space by combining condensed proportions with solid, rounded-rectangular construction. The consistent monoline structure and simplified shapes prioritize clarity and repeatable rhythm for bold, modern communication.

The font’s narrow set and heavy weight produce strong vertical emphasis and a tight line fit. Round letters like O and Q skew toward squarish bowls, and many glyphs show small interior apertures, which increases impact but benefits from generous sizing and spacing in longer text.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸