Sans Other Lemoj 6 is a very bold, narrow, low contrast, upright, normal x-height font visually similar to 'Timeout' by DearType, 'FF Clan' by FontFont, 'Goodrich' by Hendra Pratama, 'Fact' by ParaType, 'Belle Sans' by Park Street Studio, and 'Earthboy' by Supfonts (names referenced only for comparison).
Keywords: posters, headlines, packaging, logo, comics, playful, hand-cut, offbeat, retro, cartoon, expressiveness, handmade look, attention-grab, display impact, quirk, angular, chiseled, blocky, irregular, compact.
A compact, heavy sans with a hand-cut, slightly jittery construction. Strokes are thick and mostly monolinear, with frequent angled terminals and faceted corners that create a chiseled silhouette. Curves are simplified into polygonal arcs (notably in C, G, O, Q, and 0), and many glyphs show subtle asymmetries and small inward notches that enhance the cut-paper feel. Proportions vary from glyph to glyph, producing an uneven rhythm while maintaining consistent weight and strong fill for high impact.
Best suited for display contexts where texture and personality are desirable—posters, event graphics, packaging, bold brand marks, and comic or game UI titling. It can work for short bursts of text at larger sizes, but the tight counters and irregular rhythm make it less ideal for long-form reading or small-size body copy.
The overall tone is quirky and energetic, evoking hand-made signage and mid-century cartoon titling. Its irregular geometry reads as informal and expressive rather than precise or corporate, adding personality and a slightly mischievous edge to headlines.
The design appears intended to deliver a bold, attention-grabbing sans with intentionally imperfect, hand-shaped geometry. By using faceted curves, angled terminals, and uneven widths, it prioritizes a crafted, illustrative impact over typographic neutrality.
Counters are generally tight and apertures can be small, especially in rounded forms and numerals, which amplifies the dense, poster-like color. Uppercase forms tend to feel more condensed and rigid, while lowercase introduces more idiosyncratic shapes (single-storey a, compact e, and a narrow, vertical i/j presence), reinforcing the handmade character.