Sans Normal Uldob 15 is a regular weight, normal width, medium contrast, upright, normal x-height font.
Keywords: ui text, body copy, editorial, corporate branding, signage, clean, modern, neutral, friendly, corporate, general purpose, legibility, neutral voice, systematic design, open apertures, low warmth, crisp terminals, even color.
This is a clean, modern sans with largely monolinear strokes and smooth, round curves. Proportions are balanced with a straightforward, workmanlike rhythm and generous internal counters that keep the texture open in text. Terminals are mostly simple and crisp, with minimal modulation and no decorative flourish; curves are round and controlled, while diagonals (A, V, W, X, Y) feel stable and evenly weighted. Lowercase forms are conventional and readable, with a compact, tidy feel and clear differentiation between similar shapes (e.g., I/l and 0/O aided by context). Numerals are simple, lining-style forms with the same even stroke treatment and calm presence as the letters.
Well-suited for interfaces, product copy, and general-purpose editorial typography where a steady, neutral voice and reliable legibility are needed. It should also work for corporate branding systems and signage that benefit from clear, uncomplicated letterforms and an even text texture.
The font conveys a neutral, contemporary tone—professional without feeling cold. Its rounded construction adds a mild friendliness, while the restrained details keep it suitable for serious, information-forward settings. Overall it reads as dependable, unobtrusive, and designed to blend into UI and editorial environments rather than call attention to itself.
The design appears intended as a versatile, everyday sans: unobtrusive in paragraphs, clear in mixed-case settings, and consistent across letters and numerals. Its restrained construction and open counters suggest an emphasis on practical readability and broad applicability rather than expressive styling.
In the sample text, spacing and letterfit produce an even gray value across lines, suggesting the design prioritizes clarity at common reading sizes. Curved letters (C, G, S, O, e) maintain consistent roundness, and joins in letters like n, m, h are clean and legible, supporting continuous reading.