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Free for Commercial Use

Distressed Tode 4 is a very bold, narrow, medium contrast, upright, normal x-height font visually similar to 'Apercu Condensed' by Colophon Foundry, 'Bergk' by Designova, 'Rhea' by Dominik Krotscheck, 'Orecla' by Maulana Creative, and 'Kapra Neue' by Typoforge Studio (names referenced only for comparison).

Keywords: posters, headlines, packaging, stickers, merchandise, rugged, punchy, playful, retro, streetwise, impact, texture, handmade, vintage print, attention, roughened, chunky, compact, inked, irregular.


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A compact, heavy display sans with chunky proportions and slightly irregular contours. Strokes are thick and mostly monolinear, with subtly softened corners and occasional nicks and dents that create a worn, ink-pressed look. Counters are relatively tight and the overall rhythm is dense, while widths vary by character, giving the alphabet an animated, hand-stamped consistency. Numerals follow the same robust build, staying highly legible at larger sizes despite the rough edges.

Best suited for short, attention-grabbing text such as posters, headlines, event graphics, packaging callouts, and logo-style wordmarks where texture adds character. It can also work for stickers, apparel graphics, and social media titles, especially when you want a bold message with a worn, analog feel.

The texture and weight give the font a gritty, high-impact tone that feels energetic and a little rebellious. Its worn finish evokes printed ephemera and DIY signage, balancing toughness with a friendly, cartoonish warmth.

The design appears intended to deliver maximum impact with a compact silhouette while adding personality through controlled distressing. It aims to mimic the immediacy of rough printing or stamped lettering, providing a bold display voice that feels handmade without sacrificing recognizability.

The distressing appears as edge abrasion and small interior artifacts rather than heavy fragmentation, so the letterforms remain clear while still reading as deliberately weathered. Round letters like O/C and bowls in B/P show the texture most prominently, and the overall color on the page stays dark and emphatic.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸