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Free for Commercial Use

Sans Other Jini 2 is a regular weight, very wide, low contrast, upright, normal x-height font.

Keywords: headlines, logos, posters, ui, packaging, futuristic, tech, sci-fi, sleek, mechanical, tech branding, interface voice, display impact, modernization, rounded, geometric, monoline, modular, extended.


Free for commercial use
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A geometric, monoline sans built from smooth curves and straight, segmented strokes. Many forms use rounded corners and open apertures, with frequent horizontal cuts and separated bars that create a modular, engineered feel. Bowls tend toward squarish-round (rounded rectangles), and several characters incorporate deliberate gaps, notches, or inline-like breaks that add visual rhythm. The overall spacing and proportions favor long horizontal movement, with clean terminals and consistent stroke thickness across the set.

Best suited to headlines, branding, and logo work where a techno-geometric signature is desirable. It also fits interface-style graphics, product packaging, and event/promotional materials that benefit from a modern, engineered look. For extended reading, it will be most effective when used at larger sizes and with generous tracking to let the segmented details stay clear.

The design reads as futuristic and technical, evoking digital interfaces, aerospace/industrial labeling, and sci‑fi titling. Its broken crossbars and notched joins add a sense of motion and machinery, while the rounded geometry keeps the tone sleek rather than aggressive. The result feels contemporary and synthetic, with a slightly stylized, display-oriented voice.

The font appears intended to deliver a distinctive, contemporary sans with a modular, precision-built aesthetic. By combining rounded-rect geometry with strategic breaks and cut-ins, it aims to signal modern technology and forward-looking design while remaining clean and systematic.

The distinctive construction introduces strong character but also creates unconventional letterforms in several glyphs (notably those with split crossbars), which can make long passages feel more stylized than neutral. Numerals follow the same segmented, rounded geometry, keeping a cohesive tone across alphanumerics.

120px
108px
96px
84px
72px
64px
56px
48px
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8px
Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸