Print Nynag 5 is a light, very narrow, medium contrast, italic, very short x-height font.
Keywords: headlines, branding, posters, packaging, invitations, casual, airy, personal, lively, brushy, handwritten feel, expressive display, personal tone, quick lettering, slanted, monoline-ish, tapered, loose, calligraphic.
A slanted handwritten print with open, flowing forms and a quick, pen-and-brush rhythm. Strokes are generally light with tapered entries and exits, showing subtle pressure shifts and occasional dry-brush texture. Letterforms are unconnected but highly cursive in construction, favoring long diagonals, looped joins, and simplified counters. Proportions run tall with a notably small x-height, generous ascenders/descenders, and relaxed baseline behavior that keeps the texture lively without becoming chaotic.
This style is best suited to display use—headlines, branding accents, packaging, invitations, and social graphics—where its slanted, handwritten energy can be part of the voice. It works well for short statements, quotes, and product names, especially when paired with a quiet sans or serif for supporting text.
The overall tone feels informal and personal, like fast note-taking with a stylish flourish. Its lean and airy texture reads friendly and expressive rather than formal, bringing a sense of motion and spontaneity to short phrases and headlines.
The design appears intended to capture the immediacy of handwritten brush-pen lettering while staying readable as unconnected print. It emphasizes speed, elegance, and gesture over strict regularity, aiming for a personable, contemporary script-like impression without fully joining letters.
Capital forms are especially gestural, with sweeping entry strokes and occasional internal loops, while lowercase shapes stay minimal and brisk. The numerals follow the same handwritten logic with single-stroke construction and tapered terminals, keeping the set visually consistent. Spacing appears naturally uneven in a hand-drawn way, which contributes to character but can make long passages feel busy at small sizes.