Sans Superellipse Fikur 7 is a bold, very wide, low contrast, italic, normal x-height font.
Keywords: headlines, branding, sportswear, posters, gaming ui, futuristic, sporty, techy, dynamic, sleek, modernity, speed, impact, geometric unity, display focus, rounded, extended, oblique, streamlined, square-rounded.
A heavy, extended oblique sans with a superelliptical construction: corners are broadly rounded while straight runs stay crisp, producing a rounded-rectangle skeleton across the alphabet. Stroke weight is largely uniform, with smooth joins and minimal modulation, and terminals are cleanly cut to emphasize forward motion. Counters are compact and squared-off (notably in O/0 and D), and the overall spacing feels engineered and even, favoring a continuous, low-friction rhythm. Numerals follow the same rounded-square logic, with a particularly geometric 0 and a wide, horizontal 2/3 structure.
Best suited to display settings where its extended oblique rhythm and rounded-square forms can read as a deliberate style choice: tech-forward branding, sports and automotive graphics, gaming/streaming titles, product packaging, and punchy poster typography. It can also work for short UI labels or dashboards when a futuristic, performance tone is desired.
The font projects speed and modernity—more "designed" than neutral—combining a technical, UI-like precision with a motorsport/arcade energy. Its rounded-square geometry keeps it friendly, while the strong slant and extended proportions make it feel assertive and performance-oriented.
The design appears intended to deliver a cohesive futuristic aesthetic built from rounded-rectangle geometry, optimized for impactful, high-energy display typography. The emphasis on consistent curvature, clean terminals, and extended slanted proportions suggests a focus on motion, modern industrial design cues, and strong word-shape presence.
Distinctive silhouettes come from the superellipse bowls and the oblique, elongated stance, which together create a consistent forward-leaning texture in words. Round letters avoid perfect circles in favor of squarer curves, giving headlines a compact, aerodynamic feel even at large sizes.