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Free for Commercial Use

Sans Superellipse Tiluk 6 is a very bold, narrow, medium contrast, upright, normal x-height font visually similar to 'Myriad' by Adobe, 'ITC Franklin' by ITC, 'Belle Sans' by Park Street Studio, 'Sans Beam' by Stawix, 'Indecise' by Tipo Pèpel, 'MaryTodd' by TipoType, and 'Nuno' by Type.p (names referenced only for comparison).

Keywords: posters, headlines, packaging, logos, signage, industrial, playful, handmade, retro, bold, impact, compactness, texture, branding, display, blocky, rounded, compressed, soft corners, rugged edges.


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A compact, heavy sans with rounded-rectangle construction and softened corners throughout. Strokes are thick and largely uniform, with subtle modulation and slightly irregular edges that evoke ink spread or stamped printing. Counters are small and often squarish, and curves read as superelliptical rather than circular. The overall rhythm is tight and condensed, with sturdy verticals, blunt terminals, and a slightly uneven texture that becomes more apparent in text.

Best suited for display typography: headlines, posters, packaging, labels, and bold branding where high visual mass is an advantage. It can work for short subheads or callouts in editorial layouts, and for signage or wayfinding when set large enough to preserve counter clarity.

The font projects an assertive, poster-forward tone with a casual, handcrafted undertone. Its dense color and softened geometry feel industrial yet friendly, balancing toughness with approachability. The slight roughness adds character and a hint of vintage or DIY authenticity.

The design appears intended to deliver maximum impact in a condensed footprint, using rounded-rectangle forms and a slightly distressed texture to add warmth and personality. It prioritizes punchy presence and a distinctive, stamp-like voice over neutral text rendering.

In the sample text, the heavy weight and tight spacing create strong word shapes and immediate impact, while the small counters and rugged edges suggest avoiding very small sizes where interior spaces may close up. Numerals and capitals maintain the same compact, blocky logic, supporting a consistent display voice across headings and short bursts of copy.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸