Sans Superellipse Utrug 1 is a regular weight, very wide, low contrast, upright, tall x-height font visually similar to 'PT Winkell Pro' by Paavola Type Studio (names referenced only for comparison).
Keywords: tech branding, ui display, gaming, signage, product labels, futuristic, tech, industrial, clean, confident, futurism, system design, interface tone, modern branding, rounded corners, squared forms, geometric, monoline, soft terminals.
A geometric sans built from squared-off, superellipse-like bowls and rounded-rectangle counters. Strokes are monoline with softened corners and mostly closed apertures, producing a compact, engineered silhouette. Curves are minimized in favor of flat-ish arcs and chamfered joins, with consistent radii across rounds (O, C, G, 0) and a smooth, uniform rhythm in text. Uppercase forms feel sturdy and modular, while lowercase keeps the same construction with simplified shoulders and short, clean terminals; numerals follow the same rounded-rectilinear logic with clearly segmented shapes.
Works best for technology-forward identities, UI headers, dashboards, and on-device or on-product labeling where a crisp geometric voice is desired. Its broad stance and sturdy construction also suit signage, esports/gaming graphics, and packaging titles that need a contemporary, engineered look.
The overall tone is futuristic and technical, with a polished, machine-made feel. Rounded corners keep the geometry approachable, while the squared architecture reads as modern, utilitarian, and slightly sci‑fi. It suggests interfaces, equipment labeling, and contemporary branding rather than editorial warmth.
The font appears designed to translate rounded-rectangle geometry into a cohesive alphabet that feels modern and systematic. By keeping stroke weight even and corners consistently softened, it aims for a clean, futuristic voice that remains readable while projecting a technical, manufactured aesthetic.
The design leans on rectangular counters (notably in 8, 0, and O) and a consistent corner radius that unifies the set. Several shapes emphasize horizontal/vertical structure—especially E, F, T, and Z—reinforcing a calibrated, display-oriented presence. The spacing and broad letterforms create a steady, open texture in longer lines without relying on delicate details.