Sans Superellipse Kuju 5 is a very bold, very wide, low contrast, upright, normal x-height font visually similar to 'Controller' by Dharma Type and 'Neue Stance' by Jetsmax Studio (names referenced only for comparison).
Keywords: headlines, logos, posters, gaming ui, app ui, futuristic, tech, space-age, industrial, friendly, sci-fi branding, ui alignment, display impact, modular geometry, modernization, rounded, squared, geometric, chunky, soft-cornered.
A geometric sans built from rounded-rectangle and superellipse primitives, with heavy, monoline strokes and generous corner radii. Counters are mostly rectangular with softened corners, producing a consistent “capsule” rhythm across rounds like O, D, and 0. Terminals are blunt and squared-off rather than tapered, and diagonals (V, W, X, Z) keep the same thickness as verticals, reinforcing a solid, modular texture. Spacing and sidebearings read stable and engineered, and the lowercase shows a compact, single-storey construction (notably a and g) that matches the squared, softened geometry of the caps and numerals.
Best suited for short-to-medium text at display sizes—headlines, logos, product naming, packaging, and poster work—where its geometric rhythm and blocky presence can read clearly. It also fits interface contexts such as dashboards, game UI, and tech-forward on-screen graphics, where the rounded-rect construction echoes common UI shapes and iconography.
The overall tone is clean and machine-made, with a sci‑fi/tech flavor that still feels approachable due to the softened corners and rounded counters. Its dense, blocky forms create a confident, high-impact voice suited to modern interfaces and hardware-adjacent branding rather than editorial subtlety.
The design appears intended to translate rounded-rectangle UI geometry into a cohesive alphabet: strong modular forms, softened corners for approachability, and highly consistent stroke behavior for a clean, engineered feel. The goal seems to be a distinctive, modern display sans that remains legible while projecting a futuristic, device-oriented personality.
Key identifiers include a rectangular O/0 with an inset counter, a squared C and G with open apertures, and a Q that adds a short, distinct tail. The figures are similarly boxy and uniform, with 1 kept simple and vertical and 2/3 formed from stacked, rounded horizontal segments. The texture in paragraphs is bold and even, with minimal stroke modulation and a consistent superelliptical motif throughout.