Sans Superellipse Ibrem 8 is a very bold, normal width, low contrast, upright, tall x-height font visually similar to 'Military Jr34' by Casloop Studio and 'Navine' by OneSevenPointFive (names referenced only for comparison).
Keywords: headlines, posters, branding, sportswear, packaging, industrial, sporty, techy, assertive, friendly, impact, modern utility, brand distinctiveness, geometric warmth, rounded corners, blocky, compact, soft square, sturdy.
A heavy, blocky sans with soft-square (superelliptical) curves and broadly rounded corners. Counters are rectangular-leaning with consistent inner radii, giving letters like O, D, and 0 a rounded-rectangle silhouette. Strokes are monolinear and dense, with relatively tight apertures (notably in C, S, and a), squared terminals, and short, sturdy joins that keep the texture compact at display sizes. The lowercase is built on a tall x-height with simple, functional shapes (single-storey a and g) and minimal modulation, producing an even, dark typographic color.
Best suited for headlines, titles, and short bursts of copy where its dense weight and rounded-rectangular forms can carry impact. It fits branding systems that want a tough-but-approachable voice, as well as packaging, signage, and sports or tech-themed graphics that benefit from a compact, high-contrast-from-background word shape.
The tone is bold and no-nonsense, balancing a tough, industrial presence with a friendly softness from the rounded-square geometry. It reads as contemporary and utilitarian, with a sporty, tech-forward feel that suits punchy messaging and high-impact headings.
The design appears aimed at delivering maximum punch with a distinctive soft-square geometry, creating a recognizable silhouette that stays cohesive across letters and numerals. It prioritizes bold clarity and a contemporary, engineered feel for display-led communication.
Figures are chunky and highly legible with squared-off bowls; the 0 is especially rounded-rectangular, and the 1 is a simple vertical with a substantial base. The overall rhythm is compact and uniform, prioritizing solidity over openness in tight spaces.