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Free for Commercial Use

Sans Contrasted Okgoj 3 is a bold, normal width, medium contrast, upright, tall x-height font.

Keywords: headlines, editorial, branding, posters, packaging, confident, crisp, retro, authoritative, impact, readability, refinement, brand voice, editorial tone, bracketed, vertical stress, ball terminals, narrow apertures, compact.


Free for commercial use
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A sturdy, high-impact text face with compact proportions and a slightly condensed rhythm. Strokes show clear modulation, with thick verticals and thinner joins that create a crisp, contrasted silhouette. Curves are tightly drawn and somewhat closed, giving letters like C, S, and e narrower apertures, while counters remain clean and stable at display sizes. Details such as bracket-like transitions and occasional ball/teardrop terminals (notably in the lowercase) add a refined, slightly old-style flavor within an otherwise straightforward, upright construction. Numerals and capitals read solid and stately, with consistent spacing and a firm baseline presence.

Works especially well for headlines, deck copy, and editorial titling where strong presence and crisp contrast are desired. It can also support brand marks, packaging, and promotional layouts that need a classic but assertive tone. For extended reading, it is best when set at comfortable sizes and with adequate leading to offset the compact, tighter apertures.

The overall tone is confident and authoritative, leaning toward a classic editorial feel rather than a neutral utilitarian voice. Its contrast and compact shapes lend a polished, slightly retro sophistication, suitable for emphatic headlines and branded statements. The tight apertures and strong vertical emphasis make it feel serious and deliberate.

The design appears intended to deliver a compact, attention-holding voice with a hint of traditional refinement, balancing clean construction with contrasted strokes and nuanced terminals for character. It aims to feel dependable and premium without becoming ornate.

Uppercase forms present a clear, monumental structure, while the lowercase introduces more personality through terminals and curved joins. The design maintains a consistent color in text lines, though the tight openings and contrast can make it feel denser at smaller sizes compared with more open, purely geometric designs.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸