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Free for Commercial Use

Sans Other Lodek 15 is a bold, normal width, low contrast, upright, normal x-height font.

Keywords: headlines, logos, posters, packaging, kids, playful, retro, friendly, futuristic, quirky, standout display, stencil motif, retro-tech feel, brand character, playful legibility, rounded, geometric, modular, soft corners, stencil cuts.


Free for commercial use
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A rounded geometric sans with heavy, monoline strokes and softened terminals. Many glyphs include consistent horizontal breaks or notches through bowls and strokes, creating a subtle stencil-like construction that reads as deliberate and systematic rather than distressed. Counters are generally large and circular, curves are smooth, and joins are clean, giving the design a tidy, modular rhythm. Widths vary by letter in a natural way, with open forms (like C and S) kept generous and closed forms (like O and Q) strongly circular; numerals follow the same rounded, high-ink, cut-through motif.

Best suited for display applications where its internal breaks and rounded geometry can read clearly—headlines, poster typography, logo wordmarks, packaging, and playful product branding. It can also work for short UI labels or badges when set large enough that the cut-through details don’t collapse. For long-form text, it’s most effective as an accent face rather than a primary reading font.

The repeated cut-through details and bubble-like geometry give the font a playful, mid-century-meets-sci‑fi tone. It feels friendly and toy-like, with a slightly techy, signage-inspired personality that stands out without becoming chaotic. Overall, it communicates novelty and character while staying legible at display sizes.

The font appears designed to reinterpret a clean geometric sans through a consistent stencil-cut system, adding novelty and recognizability while keeping letterforms broadly familiar. The intention seems to be strong shelf appeal and instant character for branding and display typography, with a controlled, repeatable motif that unifies the full alphabet and numerals.

The cut lines are placed in different vertical positions depending on the glyph, which adds movement and visual texture across words. Round dots and softly tapered diagonals (notably in V/W/X/Y) reinforce the approachable, crafted feel. The design’s distinctive internal breaks become more prominent as size increases, making it especially impactful for short phrases and branding marks.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸