Sans Superellipse Fodul 1 is a bold, normal width, low contrast, italic, normal x-height font visually similar to 'Rabon Grotesk' by 38-lineart, 'Acumin' by Adobe, 'Corelia' by Hurufatfont, 'Passenger Sans' by Indian Type Foundry, 'Air Superfamily' by Positype, and 'Nu Sans' by Typecalism Foundryline (names referenced only for comparison).
Keywords: headlines, posters, sports branding, packaging, social ads, sporty, urgent, confident, modern, dynamic, impact, speed, modernization, clarity, branding, oblique, geometric, rounded, compact, punchy.
A slanted, heavy sans with compact proportions and a clean geometric build. Curves are smooth and rounded, with bowls and counters tending toward squarish, superellipse-like shapes rather than pure circles. Strokes are largely uniform with blunt terminals and crisp joins, creating strong, dark silhouettes. The italic angle is consistent across caps, lowercase, and numerals, producing a forward-leaning rhythm; spacing feels tight and energetic, with sturdy, simplified forms optimized for impact.
This font performs best in short, prominent settings where its weight and slant can carry the message—headlines, posters, and high-contrast marketing layouts. It’s also well-suited to sports or action-oriented branding, product packaging callouts, and punchy digital graphics where immediate readability and momentum are desirable.
The overall tone is fast, assertive, and contemporary. Its forward slant and dense weight communicate motion and urgency, while the rounded geometry keeps it friendly and approachable rather than aggressive. The result feels suited to bold, performance-oriented messaging.
The design appears intended to deliver a modern, high-impact italic sans that emphasizes speed and confidence. Its rounded-rect geometry and low-detail construction suggest a focus on robust reproduction at display sizes and on screens, with a consistent, system-like rhythm across letters and numbers.
Numerals are wide and highly legible with rounded rectangular curves, matching the letterform logic. Uppercase shapes are straightforward and blocky, while the lowercase maintains a utilitarian, single-storey feel where applicable and avoids delicate details, reinforcing a strong display presence.