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Free for Commercial Use

Sans Normal Osmid 12 is a very bold, wide, low contrast, upright, normal x-height font visually similar to 'Humanist 531' by Bitstream; 'Neue Frutiger Devanagari', 'Syntax', and 'Syntax Next' by Linotype; 'CG Symphony' and 'Morandi' by Monotype; 'Humanist 531' by ParaType; 'Saxony Serial' by SoftMaker; 'Foundry Sans' by The Foundry; and 'Syntax' by URW Type Foundry (names referenced only for comparison).

Keywords: headlines, posters, branding, packaging, signage, confident, friendly, modern, sporty, punchy, impact, clarity, contemporary branding, display strength, approachability, geometric, rounded, blocky, compact counters, high impact.


Free for commercial use
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This is a heavy, geometric sans with broad proportions and stout, even strokes. Curves are generously rounded while joins and terminals tend toward squared, giving a solid, blocky silhouette. Counters are relatively tight in letters like B, a, e, and g, boosting density and impact at display sizes. The uppercase set reads clean and stable, with simple, constructed forms; the lowercase shows single-storey shapes (notably a and g) and short, sturdy extenders that keep the texture compact. Figures are bold and open enough to stay recognizable, with an oval 0 and straightforward, sign-like 1–9 forms.

Best suited to headlines, subheads, and short, high-impact statements in print or on screen. It works well for branding, packaging, and signage that benefit from a bold, friendly geometric voice. For long reading at small sizes, the dense counters and heavy texture may feel compact, but it can perform well for emphasis, labels, and UI callouts at moderate-to-large sizes.

The overall tone is assertive and upbeat—more energetic than formal. Its rounded geometry softens the weight, creating a friendly, approachable voice while still feeling strong and promotional. The look suggests contemporary branding and headline typography where immediacy and clarity matter.

The design appears intended to deliver maximum impact with a clean, contemporary sans structure—pairing geometric roundness with firm terminals for a confident, highly legible display presence. Its compact internal spaces and broad proportions suggest a focus on bold branding and attention-grabbing typographic systems.

Spacing and letterfit appear tight in the sample text, producing a dense, poster-like rhythm. The forms maintain consistent weight through curves and straight segments, helping the font stay uniform and stable in large blocks of text. Diagonals (A, V, W, X, Y) are broad and sturdy, reinforcing the font’s muscular presence.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸