Sans Normal Omkur 15 is a bold, normal width, low contrast, upright, normal x-height font visually similar to 'Neue Frutiger', 'Neue Frutiger Arabic', 'Neue Frutiger Cyrillic', 'Neue Frutiger Hebrew', and 'Neue Frutiger Paneuropean' by Linotype and 'Core Sans B', 'Core Sans BR', 'Core Sans N SC', and 'Core Sans NR' by S-Core (names referenced only for comparison).
Keywords: headlines, posters, branding, signage, packaging, confident, modern, friendly, solid, clean, impact, clarity, modernity, approachability, geometric, rounded, compact, high-impact, crisp.
This typeface presents a sturdy sans structure with smooth, rounded curves and largely uniform stroke weight. Bowls and counters are generously open, while terminals are clean and mostly blunt, producing a crisp, compact silhouette in both uppercase and lowercase. Uppercase forms lean toward geometric construction with broad, stable shapes, and the lowercase keeps a straightforward, workmanlike rhythm with clear differentiation between similar letters. Numerals match the letterforms in weight and presence, reading as cohesive, compact figures suited to prominent display.
Its dense, high-impact shapes suit headlines, posters, and short-form copy where strong presence is needed. It can serve branding and packaging well, particularly when a modern, approachable sans tone is desired. The sturdy numerals and clear letterforms also make it suitable for signage and prominent UI labels at larger sizes.
The overall tone is confident and contemporary, with a friendly softness coming from the rounded curves. It feels practical and straightforward rather than decorative, aiming for clarity and impact. The heavy, even color gives it an assertive voice that reads as modern and dependable.
The design appears intended to deliver a modern geometric sans voice with strong visual weight and straightforward readability. It prioritizes consistent texture and stable letterforms, aiming to perform reliably in attention-grabbing display settings while remaining clean and approachable.
The design maintains consistent color across lines of text, with minimal modulation and smooth joins that keep forms from feeling sharp. Curved letters like C, G, O, and S appear notably full and stable, while straight-sided letters retain a clean, engineered feel, creating a balanced geometric rhythm.