Sans Superellipse Imrib 2 is a very bold, very wide, medium contrast, italic, tall x-height font visually similar to 'Metronic Pro' by Mostardesign (names referenced only for comparison).
Keywords: sports branding, racing graphics, posters, logotypes, packaging, sporty, futuristic, dynamic, aggressive, headline, speed cue, impact display, modern branding, tech feel, logo ready, slanted, rounded, boxy, compact counters, high impact.
A heavy, forward-slanted sans with rounded-rectangle construction and firmly sheared terminals. Curves resolve into smooth superellipse-like bowls, while straight strokes feel engineered and slightly aerodynamic, producing a crisp, compact rhythm across words. Counters are relatively tight and openings are controlled, giving the face a dense, high-ink presence. Figures are similarly robust and streamlined, with consistent slant and simplified geometry that keeps the set visually uniform in display sizes.
This font fits high-impact display work such as sports identities, motorsport or action-themed graphics, bold poster headlines, and striking logotypes. It also works for packaging and promotional collateral where a sleek, high-energy voice is needed, especially when set large with moderate tracking for clarity.
The overall tone is fast, forceful, and contemporary—closer to racing graphics and performance branding than to editorial typography. Its slant and mass create a sense of motion and urgency, while the rounded geometry adds a sleek, tech-forward polish rather than a friendly softness.
The design appears intended to deliver maximum visual punch while communicating speed and modernity through a consistent forward slant, compact apertures, and rounded-rectangular construction. Its geometry prioritizes a cohesive, engineered look that stays assertive and legible in short bursts of text.
Letterforms show a strong emphasis on horizontal sweep and clean diagonal cuts, which helps lines of text read as a continuous, energetic band. The sturdiness of joins and the reduced interior space make it best when given room (larger sizes or looser tracking) to avoid dark clumping in dense settings.