Sans Normal Admiv 11 is a regular weight, wide, low contrast, italic, normal x-height font visually similar to 'Actay' and 'Monas Grotesk' by Arodora Type, 'BR Sonoma' by Brink, 'HD Canton' by HyperDeluxe, 'Recht' by Mint Type, 'Mazzard' by Pepper Type, and 'Campton' by René Bieder (names referenced only for comparison).
Keywords: ui text, signage, headlines, brand systems, presentation, modern, clean, dynamic, technical, neutral, contemporary utility, emphasis, clarity, system typography, momentum, oblique, geometric, open apertures, soft corners, uniform strokes.
This typeface is an oblique sans with a crisp, contemporary build and largely uniform stroke weight. Forms lean consistently to the right, with smooth circular curves in C/O/Q and rounded shoulders in letters like n and h, balanced by straight, sharply cut terminals. Counters are open and uncomplicated, producing clear interior space in a, e, and s, while diagonal-heavy letters (K, V, W, X, Y) read sturdy and well-aligned. Overall spacing feels even and utilitarian, with a straightforward, legible rhythm across caps, lowercase, and numerals.
It suits interface typography, navigation, and informational layouts where clarity and a forward-leaning emphasis are helpful. The oblique stance also makes it effective for headings, callouts, and short brand statements that need a contemporary, energetic presence without becoming decorative.
The overall tone is modern and efficient, combining a neutral, workmanlike voice with a sense of motion from the oblique slant. It reads confident and contemporary rather than expressive or decorative, giving text a brisk, technical cadence.
The design appears intended as a practical, modern oblique sans that maintains clean geometry and straightforward legibility. Its consistent slant and restrained detailing suggest it was made to deliver emphasis and momentum in everyday typographic systems while staying neutral and easy to set.
The glyphs show a consistent slant across both uppercase and lowercase, and the numerals follow the same straightforward, sans construction. Round letters appear smoothly drawn without visible modulation, while flat joins and clean cuts keep the texture crisp at larger sizes.