Outline Lymo 1 is a light, very wide, low contrast, upright, normal x-height font.
Keywords: headlines, posters, logos, packaging, signage, retro, technical, architectural, geometric, display, decorative impact, modular system, tech aesthetic, retro futurism, outlined, monolinear, rectilinear, double-line, angular.
A rectilinear outline design built from monolinear strokes with consistent gaps, creating a double-line, hollow look. Letterforms are squared and modular with crisp right angles, flat terminals, and minimal curvature; bowls and counters often resolve as rectangular frames. The rhythm is spacious and airy, with wide, open interiors and a grid-like construction that stays consistent across capitals, lowercase, and numerals. Diagonals appear sparingly and are handled as sharp, straight joins, keeping the overall texture precise and engineered.
Best suited to headlines and short display settings where the hollow structure can be appreciated—posters, logo wordmarks, packaging titles, and event or venue signage. It also works well for tech-themed graphics, UI hero text, and retro-futuristic branding where a crisp, constructed texture is desirable.
The font reads as retro-technical and architectural, evoking drafting, circuitry, and early digital or signage aesthetics. Its outlined construction gives it a decorative, display-forward tone while maintaining a clean, systematic feel. The overall impression is orderly, futuristic, and slightly playful due to the hollow inline-like detailing.
The likely intention is a geometric outline display face that translates a modular, drafting-like construction into a distinctive alphabet. The consistent rectilinear framework and hollow strokes suggest a focus on decorative impact, legibility at larger sizes, and a cohesive system across letters and figures.
Because the strokes are outlines with internal spacing, the design depends on size and reproduction quality: at small sizes the interior gaps can visually close and reduce clarity. The squared geometry produces strong horizontal and vertical emphasis, so long passages can feel pattern-like and attention-grabbing rather than neutral.