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Free for Commercial Use

Sans Superellipse Kada 3 is a very bold, normal width, low contrast, italic, tall x-height font visually similar to 'Equines' by Attractype, 'European Sans Pro' by Bülent Yüksel, 'CF Blast Gothic' by Fonts.GR, 'Longreach' by Hanoded, 'Etrusco Now' by Italiantype, 'Gallinari' by Jehoo Creative, 'Fact' by ParaType, and 'Ansage' by Sudtipos (names referenced only for comparison).

Keywords: sports branding, posters, headlines, apparel, packaging, sporty, punchy, energetic, assertive, retro, impact, speed, branding, display, slanted, compact, chunky, rounded, superelliptical.


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A heavy, right-slanted sans with compact, superelliptical curves and broad, blunt terminals. Letterforms feel tightly engineered: bowls and counters are rounded-rectangular, apertures are relatively small, and joins are firm and blocky rather than calligraphic. The rhythm is dense and forward-leaning, with sturdy verticals and diagonals that read as slightly compressed and streamlined in running text. Numerals share the same chunky, rounded geometry and maintain consistent color and spacing at display sizes.

Best suited to short, high-impact copy such as sports identities, event posters, promotional graphics, product packaging, and apparel lettering. It also works well for bold UI labels or buttons where a strong, directional emphasis is desired, especially at medium-to-large sizes.

The overall tone is fast, loud, and competitive—more “team jersey / motorsport” than editorial refinement. Its slant and mass create a sense of motion and impact, while the rounded-rect forms keep it approachable rather than aggressive.

The design appears intended to deliver maximum visual punch with a forward-leaning, speed-oriented stance and robust, rounded geometry. It prioritizes strong silhouette and compact, high-contrast-in-mass word shapes for attention-grabbing display use.

The italic construction looks like a true oblique/italic design rather than a simple shear: many letters show purposeful shaping to preserve internal space and stability. In longer lines, the dense color can build quickly, so it benefits from generous tracking or larger sizes when clarity is a priority.

120px
108px
96px
84px
72px
64px
56px
48px
44px
40px
36px
32px
30px
28px
26px
24px
22px
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9px
8px
Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸