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Free for Commercial Use

Sans Superellipse Orben 3 is a bold, narrow, low contrast, upright, normal x-height font visually similar to 'Conthey' and 'Conthey Inline' by ROHH, 'Yoshida Sans' by TypeUnion, and 'Rotundus' by dayflash (names referenced only for comparison).

Keywords: posters, headlines, signage, branding, packaging, industrial, retro, technical, friendly, space-saving, high impact, systematic, sign-ready, rounded, condensed, blocky, monoline, soft-cornered.


Free for commercial use
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A compact, monoline sans with a strong superelliptical construction: rounded-rectangle counters, soft corners, and straight-sided bowls that keep curves taut rather than fully circular. Strokes are uniform and heavy, with minimal modulation and a sturdy, billboard-like color on the page. The proportions are condensed with short extenders, and many letters show squared terminals and engineered joins that emphasize vertical rhythm. Numerals and capitals share the same blocky, rounded geometry, producing a consistent, grid-friendly texture in both display and short-text settings.

Best suited to display roles where dense, compact letterforms are an advantage—headlines, posters, packaging fronts, and branding marks that need a sturdy, engineered presence. It also fits wayfinding and signage styles that favor rounded-rect geometry, especially at medium to large sizes where the tight apertures remain clear.

The overall tone feels industrial and retro-modern, combining a utilitarian, sign-like sturdiness with approachable rounded corners. Its compact stance and rigid geometry read as technical and systematized, while the softened corners keep it from feeling harsh or purely mechanical.

The design appears intended to merge a condensed, space-efficient footprint with a rounded-rect, constructed drawing style, yielding strong impact and a cohesive, system-like feel. It prioritizes uniform stroke weight and consistent geometry to deliver a dependable, contemporary-retro voice across letters and numerals.

The face maintains a tight internal spacing and closed apertures in several forms, creating a dense, high-impact word shape. Curves often resolve into flattened arcs and vertical sides, reinforcing a modular, constructed aesthetic that stays consistent across uppercase, lowercase, and figures.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸