Sans Normal Agkeh 13 is a bold, normal width, low contrast, upright, normal x-height font visually similar to 'AC Texto' and 'AC Texto Pro' by Antoine Crama, 'Salda' by Hurufatfont, 'Ambiguity' by Monotype, 'PF Bulletin Sans Pro' and 'PF Square Sans Condensed Pro' by Parachute, and 'Obvia Narrow' by Typefolio (names referenced only for comparison).
Keywords: headlines, posters, branding, signage, ui labels, modern, clean, confident, friendly, utilitarian, clarity, impact, neutrality, modernity, geometric, rounded, sturdy, high legibility, minimal.
A sturdy sans with predominantly geometric construction and smoothly rounded curves. Strokes are uniformly heavy with minimal modulation, producing a solid, even color in text. Counters are open and fairly generous, and terminals are clean and unembellished. The lowercase shows compact, efficient forms with round bowls (a, b, d, o, p, q) and a straightforward, single-storey a and g; the y has a simple diagonal descender. Numerals are clear and contemporary, with a clean, readable 1 and rounded 0/8/9 forms that match the letterforms’ curvature.
This face suits bold headlines, posters, and brand wordmarks where a clean, contemporary voice is needed. Its simple geometry and open counters also make it a good fit for signage and interface labels that benefit from quick recognition at a glance.
The overall tone is modern and pragmatic, with a friendly softness coming from the rounded geometry. It feels confident and direct rather than expressive, prioritizing clarity and consistency. The heavy, even strokes give it a strong presence suitable for attention-getting settings without becoming decorative.
The design appears intended as a modern, geometric workhorse: strong, highly legible shapes with minimal stylistic noise. It aims to deliver a confident visual impact while staying neutral enough for broad commercial and editorial use.
In the sample text, spacing and rhythm read as stable and engineered, with forms that stay crisp at large sizes. The uppercase has a straightforward, sign-like simplicity, while the lowercase maintains approachable roundness and strong differentiation between similar shapes (e.g., I/l/1, O/0).