Sans Normal Asmud 14 is a regular weight, normal width, low contrast, upright, normal x-height font visually similar to 'Actay' by Arodora Type and 'TT Hoves Pro' by TypeType (names referenced only for comparison).
Keywords: ui text, body copy, branding, signage, editorial, neutral, modern, clean, friendly, corporate, versatility, clarity, neutrality, readability, modern utility, humanist, open apertures, round terminals, even rhythm, plainspoken.
This sans serif shows smooth, round geometry with minimal stroke modulation and a steady, even color in text. Curves are clean and broadly circular, while straight strokes end in squared or softly rounded terminals depending on the letterform. Counters are open and generous, and joins are uncomplicated, producing clear silhouettes at display sizes. Numerals follow the same straightforward construction, with simple bowls and consistent stroke presence that matches the letters.
It works well for interface typography, product and corporate communication, and general-purpose editorial layouts where neutrality and legibility are priorities. The clean construction also suits signage and wayfinding at medium to large sizes, as well as brand systems that need an unobtrusive, modern baseline typeface.
The overall tone is neutral and contemporary, balancing a technical cleanliness with mild softness in the curves. It feels approachable rather than stylized, aiming for clarity and calm confidence. The result reads as professional and familiar, suitable for content that should feel straightforward and trustworthy.
The design appears intended as a versatile, no-nonsense sans serif with broadly geometric curves and dependable readability. It prioritizes clear letterforms, open counters, and an even typographic texture so it can serve as a default workhorse across many contexts without feeling overly stylized.
In the sample text, spacing and rhythm appear even, helping long pangrams stay legible without drawing attention to quirks. Round letters like O/C/G and the lowercases a/e/s show open shapes that support readability, while diagonals (V/W/X/Y) are crisp and stable, giving headings a clear, modern cadence.