Script Haru 4 is a very bold, narrow, low contrast, upright, short x-height font visually similar to 'Florest Display' and 'Florest Textured' by Kaligra.co (names referenced only for comparison).
Keywords: headlines, packaging, posters, kids, branding, playful, friendly, retro, casual, quirky, approachability, display impact, handmade feel, brand warmth, rounded, bouncy, soft, chunky, informal.
A heavy, rounded handwritten script with thick, uniform strokes and softly blunted terminals. Letterforms lean toward print-like construction while keeping a drawn, slightly wobbly baseline rhythm and irregular curves that feel human rather than geometric. Counters are compact and often teardrop-shaped, with small apertures in letters like e, a, and s that add density. Ascenders and capitals are tall and simple, with minimal flourish and a consistent, soft-edged silhouette that reads clearly at display sizes.
This font is well suited to short, prominent text such as headlines, logos, stickers, packaging, and posters where its weight and rounded texture can carry the design. It also fits children’s products, playful apps, and casual café or boutique branding. For longer passages, it works best in brief bursts (pull quotes, captions, callouts) rather than continuous body copy.
The overall tone is cheerful and approachable, with a nostalgic, cartoon-like warmth. Its bouncy curves and plush weight give it a lighthearted personality suited to kid-friendly and feel-good messaging, while the straightforward forms keep it from feeling overly ornate.
The design appears intended to deliver a bold, friendly handwritten look that feels quick and personal while remaining highly legible. Its simplified script connections and rounded, ink-heavy shapes prioritize charm and impact over formal calligraphy.
Capitals are blocky and rounded, pairing comfortably with the lowercase without strong calligraphic contrast. Numerals follow the same soft, chunky logic and look cohesive in headings and badges. The tight internal spaces suggest it benefits from generous sizing and/or a touch of tracking when used in longer lines.