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Free for Commercial Use

Wacky Hidoz 5 is a bold, normal width, medium contrast, upright, normal x-height font visually similar to 'Momi Byte' by Matt Chansky, 'Identidad' by Punchform, and 'Founder' by Serebryakov (names referenced only for comparison).

Keywords: posters, headlines, logotypes, packaging, event promos, playful, stencil-like, retro, quirky, cartoonish, attention-grabbing, thematic display, stylized stencil, visual texture, notched, chunky, geometric, high-impact, cutout.


Free for commercial use
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A heavy, geometric display face built from chunky strokes and rounded forms, repeatedly interrupted by small triangular notches and slit-like cutouts. Many glyphs feature mid-stroke breaks (especially in bowls and counters), producing a pseudo-stencil rhythm without the strict engineering of industrial stencils. Curves are broadly circular, joins are simplified, and terminals tend to end bluntly; the overall texture is lively and slightly irregular from letter to letter, with varied internal cut placements that create a distinctive patterned silhouette in words.

Best suited for short, high-impact text such as posters, display headlines, logos, labels, and promotional graphics where the cutout detailing can be appreciated. It works well when you want a bold wordmark with a crafted, stencil-adjacent look, and is less appropriate for long passages or small UI text.

The repeated notches and split counters give the font a mischievous, prop-like personality—part signage, part cut-paper craft. It reads as humorous and attention-seeking, with a retro novelty feel that suggests games, themed events, or playful packaging rather than formal editorial use.

The design appears intended to create a distinctive, decorative voice by combining simple geometric letter construction with repeated notches and internal breaks. The goal is likely maximum character and recognizability in display settings, offering a cutout/stencil flavor while keeping forms friendly and rounded.

Legibility is strongest at headline sizes where the interior breaks read as intentional detailing; at smaller sizes the cutouts may visually fill in or compete with counters. Rounded letters like O/Q/0 and forms with multiple bowls (B, 8) showcase the signature split-counter motif most clearly, creating a consistent visual hook across the set.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸