Sans Other Ibzi 2 is a bold, wide, medium contrast, upright, normal x-height font.
Keywords: headlines, posters, logotypes, packaging, title cards, industrial, techy, futuristic, mechanical, assertive, standout, edgy, display, stencil cut, notched, geometric, chiseled.
The letterforms are heavy and compact in texture, built from clean sans shapes that are repeatedly interrupted by small triangular notches and occasional breaks. Curves are mostly geometric and smooth, while terminals tend to be blunt, with the cut-ins creating a consistent “chiseled” rhythm across the alphabet. Counters remain fairly open for the weight, and the construction stays upright and stable, with the decorative intrusions providing most of the visual movement.
Best suited for display settings where the notched stencil detailing can be appreciated: headlines, posters, titles, packaging, and brand marks with an industrial or tech-forward positioning. It can also work for event graphics, gaming/film titles, and product identities that want a fabricated or engineered aesthetic. For long-form text or small UI labels, the frequent cut-ins may become visually busy, so larger sizes and generous spacing will help.
This typeface projects a mechanical, coded feel with a distinctly industrial edge. The repeated stencil-like interruptions give it a utilitarian, engineered tone that reads as modern and slightly sci‑fi. Overall it feels assertive and attention-grabbing rather than quiet or neutral.
The design appears intended to take a straightforward sans foundation and inject a signature motif—small cut-out notches and segmented joins—to create instant recognizability. It prioritizes a strong silhouette and a distinctive internal rhythm over typographic neutrality, aiming for a branded, high-impact voice. The consistent treatment across caps, lowercase, and numerals suggests a cohesive display style meant to hold together in headlines and logotypes.
Several glyphs show deliberate segmentation through the bowls and strokes (notably rounded letters and some numerals), creating a recurring “cut and rejoin” pattern that reads like a stencil or machined part. The sample text demonstrates that the distinctive breaks remain prominent even in continuous reading, giving the font a strong texture and a slightly fragmented cadence.