Sans Normal Dibal 3 is a light, normal width, low contrast, upright, normal x-height font visually similar to 'Berthold Standard' by Berthold; 'Europa Grotesk SB' and 'Europa Grotesk SH' by Scangraphic Digital Type Collection; and 'Nimbus Sans Chinese Simplified', 'Nimbus Sans Japanese', 'Nimbus Sans L', and 'Nimbus Sans Thai' by URW Type Foundry (names referenced only for comparison).
Keywords: ui text, body text, product design, editorial, branding, clean, modern, neutral, minimal, friendly, clarity, versatility, neutrality, modernity, accessibility, monoline, geometric, open apertures, rounded terminals, generous spacing.
This typeface is a monoline sans with predominantly geometric construction and smoothly rounded curves. Strokes stay even and consistent, with clean joins and rounded terminals that keep the texture calm and uniform. Counters are open and clear (notably in forms like C, e, and s), and overall proportions feel balanced with moderate letterfit and steady rhythm. Capitals are straightforward and restrained, while lowercase forms stay simple and highly legible with minimal idiosyncrasies; figures follow the same clean, rounded logic.
It suits interface and product typography where a clean, consistent sans is needed, and it holds up well in longer passages thanks to its open counters and even color. It can also work for modern branding and packaging when a neutral, unobtrusive voice is desired, and for editorial layouts that favor a straightforward sans companion.
The overall tone is neutral and contemporary, prioritizing clarity over personality. Rounded detailing and open shapes add a mild friendliness, keeping it approachable without becoming playful. The result feels professional, calm, and adaptable across many visual contexts.
The design appears intended as a general-purpose, modern sans emphasizing readability and visual neutrality. Its geometric underpinnings and rounded finishing details suggest an aim for clarity and consistency across headlines, text, and numerals without drawing attention away from content.
The design reads best when set with comfortable tracking, as the letterforms rely on clear internal space and smooth curves. Diagonal letters (such as V, W, X, and Y) keep crisp angles while maintaining the same even stroke weight, helping the font hold together consistently across mixed-case text and numerals.