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Sans Superellipse Unvy 12 is a very bold, wide, monoline, upright, normal x-height font.

Keywords: headlines, logos, posters, packaging, sports branding, futuristic, techy, playful, confident, friendly, impact, modernity, approachability, modular geometry, brand clarity, rounded, blocky, soft-cornered, geometric, compact counters.


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A heavy, geometric sans with a superellipse feel: strokes are uniform and terminals are broadly rounded, producing a soft-cornered, blocky silhouette. Curves tend toward rounded-rectangle shapes (notably in O, C, G, and 0), while straight segments stay firm and flat, giving a crisp, engineered rhythm. Counters are compact and often rectangular in character (seen in B, D, P, R and the numerals), and joins are smoothed rather than sharp, emphasizing a clean, molded look. Overall spacing reads sturdy and even, with large, stable forms that remain legible at display sizes.

Best suited to attention-grabbing display use such as headlines, posters, and bold brand marks where its rounded, geometric structure reads clearly and distinctively. It also works well for packaging and contemporary identity systems that want a tech-forward or gaming-adjacent voice, and for short UI labels or feature callouts where compact counters and strong shapes help at a glance.

The tone is modern and high-impact, with a friendly softness from the rounded corners that keeps the weight from feeling aggressive. It suggests contemporary tech, gaming, and product branding—confident and forward-looking, but approachable rather than austere.

The design appears intended to deliver maximum impact with a cohesive, rounded-rect geometry—balancing a strong, modern presence with softened corners for approachability. It prioritizes clear, modular shapes and consistent stroke behavior to create a distinctive, contemporary voice for branding and display typography.

The lowercase keeps the same geometric logic as the caps, reinforcing consistency across text settings. Numerals follow the same rounded-rect construction, making them visually cohesive for interfaces and headline figures. The overall impression is a streamlined, industrial design language—like signage or UI typography built from softened modules.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸