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Free for Commercial Use

Sans Superellipse Momey 2 is a very bold, very narrow, low contrast, italic, normal x-height font visually similar to 'Peridot Latin' and 'Peridot PE' by Foundry5, 'Libel Suit' by Typodermic, and 'Heading Now' by Zetafonts (names referenced only for comparison).

Keywords: headlines, posters, sports branding, packaging, signage, sporty, urgent, retro, punchy, industrial, space saving, high impact, speed cue, robust display, modernized retro, condensed, oblique, rounded corners, soft terminals, compact.


Free for commercial use
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This typeface is a heavily condensed oblique sans with rounded-rectangle construction and softened corners throughout. Strokes are uniformly thick with minimal modulation, creating a dense, compact texture and strong vertical rhythm. Curves tend to resolve into squarish bowls and counters, while joins and terminals stay blunt and smooth rather than sharp. The overall spacing is tight and economical, with tall proportions and short extenders that keep word shapes compact.

This font performs best in large sizes where its compact width and heavy strokes can deliver maximum impact in limited space. It suits headlines, posters, athletic or motorsport-adjacent graphics, bold packaging callouts, and short signage phrases. For longer text, its tight, condensed texture is more effective as an accent style than as a primary reading face.

The slanted stance and compressed build project speed and intensity, with a practical, workmanlike voice. Its rounded geometry softens the impact, giving it a friendly but forceful presence that reads as sporty and slightly retro. The overall tone feels direct and attention-seeking, suited to messaging that needs momentum.

The design appears intended to provide a high-energy, space-saving display voice that remains robust and legible at a glance. By combining a forward slant with rounded-rectangle forms, it aims for a modern, engineered feel without becoming harsh, balancing speed with approachability.

Uppercase forms read tall and streamlined, while lowercase maintains the same condensed skeleton for consistent color. Numerals follow the same squared-round logic, appearing sturdy and signage-like. The overall silhouette stays cohesive across letters and figures, favoring simple, high-impact shapes over delicate detailing.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸