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Free for Commercial Use

Sans Normal Bumef 3 is a regular weight, normal width, low contrast, upright, tall x-height font visually similar to 'Chamelton' by Alex Khoroshok, 'Midnight Sans' by Colophon Foundry, 'Korolev' by Device, 'Helvetica Now' by Monotype, and 'Amsi Grotesk' by Stawix (names referenced only for comparison).

Keywords: ui text, body copy, editorial, signage, presentations, modern, neutral, clean, functional, friendly, general purpose, clarity, readability, utility, versatility, monoline, open counters, rounded terminals, even rhythm, high legibility.


Free for commercial use
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A straightforward sans with monoline strokes, open apertures, and broadly rounded curves. Proportions feel balanced and contemporary, with a relatively large lowercase presence and clear differentiation between capitals and lowercase. Terminals are clean and largely squared-off with subtle rounding, keeping the texture even in both display sizes and running text. Numerals are simple and utilitarian, matching the letterforms’ steady stroke weight and uncluttered geometry.

This font suits interface and product typography, general-purpose documents, and editorial layouts where clarity and a consistent texture are priorities. It also performs well for signage and wayfinding at moderate sizes thanks to its open counters and uncomplicated silhouettes. For presentations and headings, it delivers a clean, contemporary look without drawing attention away from content.

The overall tone is modern and neutral, aiming for clarity over personality. Its smooth curves and open forms give it a mild friendliness, while the disciplined construction keeps it professional and matter-of-fact. It reads as dependable and familiar rather than expressive or ornamental.

The design appears intended as a versatile workhorse sans: highly legible, visually calm, and easy to set across a wide range of sizes. Its restrained details and open construction suggest an emphasis on everyday readability and broad applicability rather than stylistic novelty.

Uppercase forms are crisp and stable, while lowercase shapes maintain a consistent, readable rhythm with generous interior space. Bowls and counters stay open in letters like a, e, and s, which helps legibility, and diagonals (V, W, X, Y) remain clean and direct without added flourish.

120px
108px
96px
84px
72px
64px
56px
48px
44px
40px
36px
32px
30px
28px
26px
24px
22px
20px
19px
18px
17px
16px
15px
14px
13px
12px
11px
10px
9px
8px
Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸