Sans Normal Oslif 15 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'Bronkoh' by Brink, 'Gilam' by Fontfabric, 'Epoca Pro' by Hoftype, 'Roihu' by Melvastype, 'Belle Sans' by Park Street Studio, 'Quercus Sans' by Storm Type Foundry, and 'NuOrder' by The Northern Block (names referenced only for comparison).
Keywords: headlines, posters, branding, signage, packaging, confident, friendly, modern, sporty, robust, impact, clarity, modernity, approachability, brand presence, rounded, compact, high-impact, clean, sturdy.
A very heavy, geometric sans with broadly rounded bowls and smooth, continuous curves paired with flat, decisive terminals. Counters are moderately open for the weight, with an overall compact, blocky silhouette that keeps word shapes dense and powerful. Curves in letters like C, O, S, and G feel close to circular, while straight-sided forms (E, F, H, N) maintain even stroke presence and a steady rhythm. The lowercase is similarly weighty and simple, with single-storey a and g and short, firm ascenders and descenders that reinforce a tight texture.
Best suited to headlines and large-scale typography where its weight and compact rhythm can deliver impact quickly. It also fits branding and packaging that benefit from a modern, friendly sturdiness, and works well for signage or short UI labels where bold clarity is the priority.
The tone is bold and straightforward, projecting confidence and approachability rather than refinement. Its rounded geometry adds a friendly, contemporary feel, while the heavy massing reads as assertive and attention-grabbing. Overall it suggests energetic, modern branding and clear, no-nonsense communication.
The design appears intended as a high-impact geometric sans that balances assertiveness with approachable roundness. It prioritizes strong shapes, consistent rhythm, and simple constructions that stay legible and cohesive at large sizes.
At display sizes the letterforms read cleanly and cohesively, with strong silhouette recognition and minimal stylistic quirks. The figures match the same sturdy, geometric construction, keeping numerals visually consistent with the alphabet in weight and presence.