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Free for Commercial Use

Stencil Sopa 4 is a very bold, narrow, medium contrast, upright, tall x-height font visually similar to 'Finalia DT Condensed' by DTP Types, 'OL Contact Classic' by Dennis Ortiz-Lopez, 'Derpache' by Edignwn Type, 'Neo Contact' by Linotype, 'Colonel Serial' by SoftMaker, 'TS Colonel' by TypeShop Collection, and 'Neo Contact' by URW Type Foundry (names referenced only for comparison).

Keywords: headlines, posters, signage, packaging, labels, industrial, poster, retro, mechanical, authoritative, stencil styling, impact, utility, display strength, slab serif, bracketed, stencil cuts, ink-trap feel, compact.


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A heavy, condensed slab-serif design with pronounced vertical stress and short, squared serifs. Many glyphs feature deliberate breaks that read as stencil bridges, typically placed at joins and inside counters, giving the letterforms a segmented, cut-through structure. Strokes are broad and mostly uniform, with modest modulation and crisp, squared terminals; several shapes show wedge-like notches that create an ink-trap-like bite. The lowercase is robust and compact with a tall x-height and tight apertures, while numerals are similarly weighty and vertically oriented for a dense, high-impact rhythm.

Best suited for display typography where the stencil construction is meant to be seen—posters, headlines, signage, and packaging with an industrial or retro utility voice. It can work well for short blocks of copy, pull quotes, and titling where compact width and strong silhouette are advantages.

The overall tone is industrial and no-nonsense, with a utilitarian, fabricated feel that suggests painted signage, metal stamping, or military marking. Its condensed massing and sharp stencil interruptions create a bold, commanding presence that leans vintage and mechanical rather than refined.

The design appears intended to combine classic slab-serif authority with a stencil manufacturing aesthetic, producing a compact, high-contrast-in-presence word shape that holds up in bold, attention-driven settings.

The stencil breaks are consistent enough to read as an intentional system across caps, lowercase, and figures, helping counters stay open at display sizes while also adding texture. The design’s tight widths and heavy color create strong headline impact but can make long passages feel visually dense.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸