Sans Superellipse Nukiv 2 is a very bold, narrow, low contrast, italic, normal x-height font visually similar to 'Sharp Grotesk Latin' and 'Sharp Grotesk Paneuropean' by Monotype and 'Nicon' by Sign Studio (names referenced only for comparison).
Keywords: headlines, posters, sports branding, apparel graphics, packaging, sporty, urgent, loud, modern, assertive, impact, speed, space saving, modern branding, display emphasis, condensed, oblique, blocky, rounded corners, compact.
This typeface is a compact, heavy sans with an oblique slant and tightly packed proportions. Letterforms are built from broad, uniform strokes with rounded-rectangle (superellipse-like) curves and softened corners, creating a muscular, streamlined silhouette. Counters are small and often squared-off, apertures are relatively closed, and terminals tend to end in blunt, slightly rounded cuts. The overall rhythm is dense and forward-leaning, with short extenders and a sturdy, block-like texture that holds together at display sizes.
Best suited to headlines, poster typography, and prominent short phrases where strong presence and speed cues are desirable. It also fits sports and motorsport branding, apparel graphics, punchy packaging callouts, and attention-forward UI moments such as hero banners or promotional tiles.
The font conveys speed and impact, combining a forward-leaning stance with thick, compact shapes that feel athletic and attention-grabbing. Its dense blackness and squared curves give it a contemporary, industrial edge suited to high-energy messaging and bold emphasis.
The design appears intended to deliver maximum visual punch in minimal horizontal space, using rounded-rectangle geometry and a forward slant to suggest motion. It prioritizes bold, compact recognizability for display settings over airy readability in long passages.
The superelliptical curvature keeps round letters from feeling fully circular, reinforcing a rectangular, engineered tone. Numerals match the compact, heavy construction and remain legible through simplified, high-mass forms. In continuous text, the tight counters and condensed build create a strong headline color rather than a relaxed reading texture.