Sans Superellipse Nulut 6 is a very bold, normal width, low contrast, italic, tall x-height font visually similar to 'Bladi Two 4F' by 4th february, 'Hudson NY Pro' by Arkitype, 'Ramsey' by Associated Typographics, 'Magnitudes' by DuoType, 'Midfield' by Kreuk Type Foundry, and 'PODIUM Sharp' by Machalski (names referenced only for comparison).
Keywords: headlines, posters, logos, packaging, sports branding, sporty, impactful, industrial, confident, retro, attention, branding, motion, durability, legibility, rounded corners, squared curves, oblique slant, compact apertures, blocky.
A heavy, obliqued sans with a squared, superelliptical construction: corners are strongly rounded while counters and terminals tend toward rounded rectangles. Strokes are uniformly thick with minimal modulation, producing dense, dark silhouettes and compact interior spaces. The shapes favor flat-ish horizontals and vertically oriented stems, with angled joins and clipped-looking terminals that reinforce a engineered, stamped feel. Uppercase forms read sturdy and condensed in their openings, while lowercase keeps a tall, upright structure with short ascenders/descenders relative to the prominent x-height. Numerals are equally blocky and built from the same rounded-rectangle geometry for consistent texture in headlines and short numeric strings.
Best suited to bold display settings where high impact and strong silhouette are priorities—headlines, posters, apparel graphics, sports or esports branding, packaging, and short UI labels. It can also work for punchy pull quotes or badges, but extended text will feel dense due to the tight counters and heavy color.
The overall tone is assertive and energetic, with a sporty, poster-like punch. Its rounded-square forms and forward slant suggest motion and toughness, balancing friendliness (soft corners) with a rugged, industrial edge.
The design appears aimed at delivering maximum presence with a cohesive rounded-rectangle vocabulary, pairing a forward-leaning stance with sturdy, simplified forms. It’s likely intended for attention-grabbing branding and display typography that needs to feel fast, tough, and contemporary with a hint of retro athletic styling.
Because counters and apertures are tight at this weight, the face tends to create a strong, continuous typographic mass, especially in longer lines. The oblique angle and squared curves give it a distinctive, branded look that reads best when ample tracking and leading are available.