Sans Superellipse Gygez 10 is a bold, wide, low contrast, upright, normal x-height font visually similar to 'Magistral' by ParaType and 'Glint' by Pesic (names referenced only for comparison).
Keywords: headlines, posters, logos, packaging, sports branding, techno, futuristic, industrial, sporty, confident, impact, modernization, systematization, tech styling, brand presence, squared-round, extended, compact apertures, rounded corners, modular.
A heavy, extended sans with a squared-round, superellipse construction throughout. Strokes are monolinear with generously rounded outer corners and mostly squared terminals, producing a blocky silhouette that still feels smooth. Counters and apertures are compact and controlled, especially in letters like C, S, and e, which emphasizes a sturdy, engineered rhythm. Curves tend to resolve into flattened horizontals and verticals, and joins are clean and simplified for a uniform, modular texture in both caps and lowercase.
Best suited to short, high-impact settings such as headlines, posters, branding marks, and packaging where its geometric width and dense counters can read as deliberate design features. It also fits tech products, UI/console-themed graphics, and sports or automotive-style identity work that benefits from a robust, engineered voice.
The font projects a modern, techno-forward attitude with a strong sense of structure and containment. Its rounded-rectangle geometry reads as digital and industrial, suggesting speed, hardware, and contemporary product design. The overall tone is assertive and functional rather than friendly or calligraphic.
The design appears intended to translate a rounded-rectangle, superellipse aesthetic into a bold, legible display sans that feels contemporary and constructed. It prioritizes consistent geometry and strong silhouettes to create immediate impact and a cohesive, system-like texture across letters and numerals.
Uppercase forms lean toward geometric display proportions, while the lowercase stays compact with squared bowls and short apertures, keeping word shapes dense at larger sizes. Numerals share the same rounded-rectangular logic, with an especially boxy 0 and a segmented, horizontal emphasis in figures like 2, 3, and 5.