Sans Normal Tukil 3 is a bold, wide, very high contrast, upright, normal x-height font visually similar to 'Bologna' by David Turner and 'Blacker Sans Pro' by Zetafonts (names referenced only for comparison).
Keywords: headlines, posters, branding, packaging, magazine titles, editorial, luxury, dramatic, refined, confident, headline impact, premium tone, editorial voice, brand presence, classic-modern blend, high contrast, vertical stress, bracketed serifs, sharp terminals, ball terminals.
A high-contrast display face with heavy, blocky vertical stems and noticeably finer connecting strokes that create a crisp light–dark rhythm. Curves are round and generous, while many joins are sharply bracketed, giving counters a sculpted, ink-trap-like bite in places. Serifs are present and generally compact, with a mix of flat, wedge-like shapes and small flared endings; several glyphs show ball terminals and pointed, calligraphic cuts (notably in the diagonal and curved forms). Overall proportions are sturdy and slightly expanded, with prominent, dark caps and robust numerals that read best at larger sizes.
Best suited to headlines, magazine and editorial titles, brand marks, packaging, and large-format promotional typography where contrast and shape detail can be appreciated. It can also work for short pull quotes or subheads, while extended body text may feel heavy and visually busy at smaller sizes due to the strong contrast and dense strokes.
The font projects an editorial, luxury-leaning tone—dramatic and authoritative without becoming ornate. Its strong contrast and sculpted details add sophistication and a slightly theatrical edge, making it feel premium and attention-grabbing.
The likely intention is to deliver a contemporary, high-impact display serif that balances classic contrast with simplified, sturdy proportions. It aims to provide instant authority and polish for branding and editorial settings, using sculpted joins and crisp terminals to create a distinctive, premium silhouette.
The design emphasizes pronounced thick–thin transitions, so texture shifts noticeably with letter combinations; this adds sparkle in headlines but can become dense in long paragraphs. The numerals and caps carry especially strong presence, and the mix of sharp cuts and rounded bowls produces a distinctive, modernized classic flavor.